It's shaping up to be Sho's year isn't it? Last year was Leader's, and this is Sho-chan's year and rightly so.To be honest I'm looking forward to his drama more than Matsujun's. Based on the description alone, Smile sounds boring. I'll probably watch it out of loyalty for Jun-sama but I foresee dropping the drama after a few episodes. I was actually relieved to hear Arashi won't be singing the theme song for the drama, and Shiina Ringo is awesome anyway. I think Arashi fans are starting to have entitlement issues (okay maybe we always have had entitlement issues lol). I don't want the general population to get too much of Arashi ya'know. That always, always lead to backlash. You can get sick of things you love.
The Quiz Show I think I can get behind. It doesn't sound like a ratings-puller but I love the premise. Lets hope Sho can pull this off. I've always been a little iffy on his acting and this lies more on the darker end of the drama spectrum and I really don't want him to botch this up. ho-crap I am such a nagative bummer when it comes to expectations. C'mon Sho! You can do this! This could actually be brilliant.
Warning: Rant ahead.
Everytime a new drama season rolls in there's the case of "What about Aiba-chan?". I dunno, maybe after a couple more butais or a legit acting coach who can be harsh on him? I know it's not that important to be super good at acting, especially in idol-infested jdrama business and his time may or may not come, but I don't want his lead drama adventure to totally crash and burn you know?
I have this hare-brained theory where people in show-biz/model-biz/kirakira-biz all lie between white canvas and muse and Aiba is somewhere close to the muse end of the spectrum. Let's talk acting here: Actors in the muse end of the spectrum when very talented will be awe-inspiring, or plain ol' inspiring; when mediocre will be typecasted (e.g Matsujun); when unproven/plain untalented will not be casted. Aiba-chan is somewhere there. Like every weird looking, weird sounding, weird kid will be. Aiba-chan is... flashes of brilliance (he makes for good preview/trailer clips, look at Believe pv preview), and totally inconsistent. A risk you're not sure you want to take as he's not as superstar powered as Matsujun or Sho.
yada yada yada disclaimer, i might just be talking out of my ass again. yada yada.
I'm not too overly concerned by it, as long as the guy himself is not too bothered by it, it's okay not to ever have a lead role in a drama. I suspect he'd be kinda bothered by it, sensitve soul and all but he also seems the pragmatic type to get over things quickly, I think. Arashi's too big now he'd practically not be offered secondary roles or their management would find it hard to approve of it.
Which brings me to a pet peeve of mine. Considering the overall quality of most jdramas, the acting especially, I'm a little pissed at how people will always look down at variety shows. Which is why I'd get :| everytime they'd list down the guys' projects and when it comes to Aiba everyone would feel I dunno, sorry? bad? for him. It's not a bad thing to put variety show as a priority, considering they are IDOLS dammit. And really, I'd give Aiba a LOT of credit for shaping Arashi's variety show style over the years. He was the one who came up with that stupid A no Arashi thing after which silliness increased in folds. He opened that up and Arashi embraced it and made it into more stupid shit we love to watch. He knows and acknowledge how important variety shows are to their careers as idols, he's not too proud to admit that and I respect that about him.
I other news, Zeni Geba is super frakilicous awesome. I dragged my feet after watching the first 2 episodes, but I'm glad I picked it up again after reading rave reviews. One of the best in recent years. I love how I don't care at all about the plot holes. It might be because the time and setting is so ambiguous. It's obviously sometime now but there are things like very old fashion cameras and the overall atmosphere that gives it an air of another world entirely, like certain things diverged from our timeline 30 years ago and created this world. And I love how it doesn't follow conventions at all and absolutely skew your expectations 3 different ways at any given time. It's over the top sometimes but it works in wonderful ways. Matsuyama Kenichi is a genius. I need to pick up Sexy voice and Robo again.
I don't see the appeal of Mizushima Hiro. Never had, never will. He's good looking I guess but I don't really see it. I think for the most parts, I really do pick my doramas and my shows by how much I like the females in it. I can stand badly charaterised males but if you botch the girls up, it's insta bye-bye. It's how I quit Hana Kimi, and dropped Goong and Coffee Prince after 14 and 11 episodes. It's probably why I couldn't get with the BOF program. I followed those as they came out weekly and I dropped it like a leaky bag of crap when the girl started to get weak and weepy and we're supposed to cry and be sad for her. It's okay to be flawed and weak and stupid because of some guy but don't put it in nice rosy tint. Which is why Mei-chan is okay. The whole thing so far is for her to suck it up and fight. Her weak moments actually lead to growth. Or something. Maybe I just like the crack.